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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
Cale Sexton re-tools Melbourne's iconic Federation Bells sound sculpture into a vibrant techno interface with splashes of psychedelia. Bandcamp New & Notable Apr 21, 2021